Brand
- becca 2
- BOURJOIS 1
- CIEN 1
- Dolce&Gabbana 1
- Essence 3
- EUGENE PERMA 1
- GARNIER 1
- GUERLAIN 1
- HEMA 1
- KIKO 2
- LOREAL 3
- M.A.C 1
- Maybelline 3
- MISS COP 1
- Mixa 1
- NARS 1
- Natural Finish 1
- RIMMEL 1
- sephora 1
- Sisley 1
- SO BIO 1
- The Ordinary 1
- Yves Rocher 1
BECCA Soft Light Blurring Setting Powder, Pink Haze
Cien Brow Perfect Eyebrow Gel
COUVRANCE Baume embellisseur lèvres Rouge éclat
Cover FX Fond de teint Natural Finish
Crayon sourcils rétractable – Retractable brow pencil
CRÈME MAINS RÉPARATRICE ALLANTOINE
Dolce&Gabbana Gloriouskin Perfect Luminous Creamy Foundation
EMULSION ECOLOGIQUE FORMULE AVANCÉE 125 ML SISLEY
ESSENCE Lash PRINCESS False Lash Effect Mascara
Essence My Skin Perfector Base Teintée 20 Nude Beige 30 ml
Essence Rouges à Lèvres Semi Mette 23
Essence Rouges à Lèvres Long Lasting 01 Curions
Essence Rouges à Lèvres Long Lasting 05 Famous
Essence Rouges à Lèvres Long Lasting 07 Honest
Essence Rouges à Lèvres This is me 05
Essence Rouges à Lèvres This Is Me 08
EYE CATCHING EXTREME VOLUME
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.