Brand
- becca 2
- BIG FORCE 1
- BIOXCIN 2
- BOURJOIS 1
- BRONWS 1
- Ceriotti 2
- CIEN 1
- CLARINS 2
- Clear 5
- coudalie 2
- DAYLONG 1
- ENZO 5
- Essence 1
- ESTEE LAUDER 1
- FLORA SIBERICA 2
- GARNIER 1
- GIORGIO ARMANI 1
- GUERLAIN 1
- HEMA 1
- JEAN LOUIS DAVID 2
- KEMEI 5
- KIKO 1
- Kinoki 1
- Lancôme 1
- Laura Mercier 1
- LOREAL 8
- M.A.C 1
- Maybelline 3
- MISS COP 1
- Mixa 3
- N.A.E 7
- NARS 1
- NATURA SIBERICA 14
- Natural Finish 1
- NATURAPRO 1
- Nuxe 1
- oblepika siberica 2
- Parodontax 1
- REXONA 1
- Sandynew 1
- SANEX 1
- sephora 1
- SIGNAL 5
- Sisley 1
- SO BIO 1
- SONASHI 1
- The Ordinary 1
- VAVO 1
- XLAETA 6
- Yves Rocher 1
BECCA Soft Light Blurring Setting Powder, Pink Haze
BOUCLEUR/FER À FRISER JEAN LOUIS DAVID – PERFECT WAVER – JLD39995
BROSSE À COIFFURE ENZO AMAZA 5 EN 1
Callus Remover with Vacuum
Caudalie Fluide Cachemire Redensifiant – Resveratrol Lift 40Ml
Caudalie Fluide Teinté Peau Parfaite FPS 20 – Vinoperfect
Cien Brow Perfect Eyebrow Gel
Clarins Sérum Anti-Âge – Double Serum – Toutes Peaux
Clear Homme Shampooing antipelliculaire 2en1 180ml
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.